Because poor Kenny G seems to come in for abuse in this blog from time to time, I thought it might be fun to revisit what I consider one of the greatest examples of musician-on-musician slagging in the history of jazz writing: guitar giant Pat Metheny putting the hurt on
Of the Mos Def character in 16 Blocks, you wrote: “Eddie has the kind of voice that makes fingernails on a blackboard sound like Kenny G.” What are we to make of this comparison, given that Kenny G. already sounds like fingernails on a blackboard? William Shunn Queens, NY
Showing 12 of 2 total posts
Stay up to date with curated collection of our top stories.
