In 1985, I was a far bigger fan of jazz guitarist Pat Metheny than just about any other musician. The album that infected me was 1982's Offramp, which sounded unlike anything else I'd ever heard. I became a hardcore consumer of any and all vinyl featuring
I find something deeply unsettling about numbers stations. I suppose I must have encountered the concept at some point reading spy fiction, but my true introduction to numbers stations came earlier this year from my friend Anthony Atamaniuk. When he played a few examples at a party, I was instantly
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